1.a video control engineer who is in charge of video but not audio
1.This branch of the shader network produces the bright highlight around the surface.
这个材质网络的分枝产生了围绕在表面上的明亮的高光。
2.It allows my skin shader always reflect some light from the environment, even where the skin doesn't seem to be reflective.
它使我的皮肤材质能够反射一些旁边环境的光线，甚至是那些看起来并没有反射的皮肤。
3.For the skin I used mentalray sss shader. So I had made a diffuse map, epidermal map, bump map and specular map for her skin.
对于皮肤，我用了mentalraysss材质。因此我为皮肤分别做了一张
4.Of course, in the vertex shader I just write a general equation so we don't have to deal with each special case inpidually like this.
当然，在顶点着色器中，我们可以使用一个通用的公式来计算和叠加光照，而不需要像上面提到的那样分别应付各种不同的情形。
5.So it is possible to re-use the data of the input registers in the next vertex shader.
也就是说，有可能重新使用输入寄存器的数据在下一个顶点着色器。
6.Every vertex shader must write at least to one component of oPos or you will get an error message by the assembler.
每一个顶点着色器必须向oPos的一个分量写入值，否则编译器就会返回一个错误。
7.The shades are quite simple, lots of fresnel effect for glass and metal and then simple shader trees layered with a mib_color_mix node.
很简单的着色器，对玻璃和金属做了很多的菲涅尔效果，然后用一个简单的着色器mib_color_mix节点。
8.With the era of programmable graphics hardware, shader replaces the traditional fixed rendering pipeline to achieve more realistic effects.
随着可编程图形硬件时代的到来，着色器替代了传统的固定渲染管线以实现更加逼真的图像效果。
9.At the bottom of the graph there is a Simple Metal Shader.
在图表的底部有一个简单金属着色器。
10.I also added some reflectors with a white surface shader to give that cartoony look to the reflections on the glasses.
我还添加了一些白色的表面反射，使卡通看起来有镜片上的反光效果。